Clearings
Moving between representation and abstraction, Anna-Bella Papp's sculptures are presented horizontally on a surface. Their tablet-like forms propose a reading of the artist's marks and impressions onto the unfired hand-sculpted clay. The works call to mind materials and realms outside themselves while still insisting on their own physical reality – the confines of their format offering a topography of control and experimentation.
Lydia Gifford's work offers an experience of interrelated objects, consumed surfaces, and textural and physical nuances. Her works capture the traces of her activity, tracking and layering decisions atop another, and explore movement as a vehicle to generate meaning. Objects engage with each other in a palpable rhythm, their tactile presences revealing a choreographed series of encounters.